Sotheby's Institute of Art
http://www.sothebysinstitute.com/Programme...30 Bedford Square, Bloomsbury London, WC1B 3EE England
30 Bedford Square, Bloomsbury London, WC1B 3EE England
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Phone: +44 20 7462 3232
Location
England: London
This programme offers an in-depth study of the history of photography, its place in cultural and critical theory, and its significance for modern visual culture. Students are introduced to the critical analysis of the history of photography from the earliest experiments to the most recent developments. Although applied photography such as police records and advertising images are touched upon, the focus is upon photography as an aesthetic practice.
The increased presence of photography in public and private collections, and the art market, is one strand of investigation; photographys role within the politics of representation is another. The core timetable is supplemented by lectures by distinguished guest scholars and experts as well as study visits to museums and galleries, art fairs and private collections. Graduates go on to pursue a variety of careers, often within the photographic gallery and auction network or the contemporary art world.
Academic Year: 1 September 2011 - 31 October 2012
Semester 1
September - December, 2011
* 19th Century Photography
* 20th Century Photography
* Academic & Professional Practice
* Global Photography
Semester 2
January - June, 2012
* Contemporary Photography
* Critical Approaches
* Academic & Professional Practice
* The Photographic Network
Semester 3
June - October, 2012
* Dissertation (MA only).
Students prepare a dissertation under the supervision of their tutor.
Bachelors
40,000
Worldwide Participants.
Independently
2 weeks
For forty years, Sotheby's Institute of Art has been preparing students for distinguished careers in the international art world. Today, Sotheby's Institute of Art comprises academic centres in London, New York, and Singapore. Its international focus reflects a commitment to interactive hands-on education that draws creatively upon the resources of important art centres worldwide.
1968
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